THE END OF DAYS IS NOT ENOUGH

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<SCENE>

DOMINIQUE, blonde hair neatly coiffured, in a white suit, sitting = behind a=20 desk in what is clearly an Important Person's study. Her face is harsh. = She=20 snaps into the telephone, "I have no time for this."

</SCENE>

VOICE : We're counting down the days . . .

<SCENE>

LILITH, gorgeous in a deep jewel-toned wrap, sits with her hair = falling loose=20 round her shoulders on the end of a rumpled bed. Slowly, she murmurs, = "I=20 was kidnapped. The policy was that no ransom would be paid."

</SCENE>

<SCENE>

Tearing explosion that takes out the side of the Old Bailey in = London.=20 Flames. Camera follows away from it, down towards an alleyway . . .

</SCENE>

<SCENE>

LAURENCE turns, smiles thinly, and puts his sword at HAAGENTI's = throat --=20 HAAGENTI (fat, bearded, well-dressed) is pinned against the wall.=20 "Talk."

</SCENE>

VOICE : . . . Till the end of the world.

<SCENE>

LILITH glances at LAURENCE over her shoulder as she makes her way = down a=20 mountainside. "And how close to me have you been ordered to = stay?"

</SCENE>

<SCENE>

DOMINIQUE turns a photograph of ASMODEUS between her hands, and = glances to=20 LAURENCE. "We read law at Oxford together. I owe his daughter this=20 much."

</SCENE>

<SCENE>

The camera continues to pan down the alleyway, showing a tall, = brutal-looking=20 man's shadow. There's an axe and a bazooka slung across his back.

</SCENE>

VOICE : And it takes so little to destroy a world . . .

<SCENE>

LAURENCE and LILITH, skiing down the mountainside, avoiding Vaputech=20 minihelicopters strafing them. Wild stunts.

</SCENE>

<SCENE>

DOMINIQUE running down a narrow alleyway, heels clattering, the sound = of feet=20 fast behind her. She turns on her pursuers, thuggish types, and takes = them down=20 with three fast kicks. There is a momentary pause, then the building = behind her=20 goes up in a billow of fire.

</SCENE>

<SCENE>

LAURENCE pulls LILITH into an embrace, and she bends backward at the = waist,=20 melting into his arms. Behind them, the sound of a New Year's Eve party = hammers=20 in the background, with much exotic music.

</SCENE>

VOICE : All it takes . . .

<SCENE>

JEAN, to LAURENCE, in a scientific laboratory, "I am very well = aware=20 that a virgin sacrifice is not scientific, 007. However, it appears to = be=20 required."

</SCENE>

<SCENE>

LILITH, into a telephone, "The world is not enough -- they = wouldn't pay=20 it for me, and I won't accept it now."

</SCENE>

<SCENE>

DOMINIQUE in her study, brings her revolver round to aim it at the = camera --=20 an unseen figure backhands her, knocking her into the wall.

</SCENE>

<SCENE>

More flames and explosions.

</SCENE>

VOICE : . . . is one person.

<SCENE>

A silhouette advances through the flames, buildings crumbling as he = passes.=20 There is a rather obvious axe slung across his back.

</SCENE>

<SCENE>

LAURENCE dashes across some catwalk, machine pistol in one hand, = sword in the=20 other. Bullets everywhere. Several goons do swan dives and screams.

</SCENE>

<SCENE>

LILITH, in a room with wall-screens showing maps of the world, = watches as the=20 lights on the maps begin to go out one by one. She murmurs, "It's = up to you=20 now, 007 . . ."

</SCENE>

<SCENE>

Above in the sky, the moon is eclipsed. A trumpet-call echoes across = the=20 night sky, dark angelic figures blotting out the stars as they = descend.

</SCENE>

<SCENE>

DOMINIQUE, chained to an altar-stone in the middle of a vast dark=20 ampitheatre, struggles.

</SCENE>

<SCENE>

MICHAEL and LAURENCE cross blades, silhouetted dramatically against = flames=20 and darkness, a shattered London (or Heaven?) in the background.

</SCENE>

MICHAEL's VOICE : Time for the end of days.

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